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Language Barrier, Part 1

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There’s some words and phrases I just can’t get on board with. One of them is “reaching out.” I hear that a lot now, from different people. “Thanks for reaching out” or “I’ll reach out to them.” It usually means sending an e-mail.

See, the problem is that I’ve seen too many action films where someone is hanging onto the side of a cliff by their fingernails and someone has to “reach out” and save them. A bit dramatic, isn’t it? Indiana Editor and the Temple of Media Requests.

The other word is “wordsmith.” Someone called me that the other day. We better  not get carried away, people. It’s not like we are banging out letters made of molten steel on a forge so we can fight the enemy with our Tolkien-inspired prose.

Or are we?

The Mushroom Cloud

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As soon as I entered the school system it had become painfully obvious I had nothing in common with my fellow classmates in that wretched slab of lakefront real estate, Port Washington. Due to an eccentric personality at even a young age and overprotective, heavily religious parents, here were my interests as a young man: The Marx Bros., Abbott and Costello, Godzilla, The Muppets, Doctor Who, Robert Louis Stevenson, Batman, classic horror and sci-fi movies,“Weird Al” Yankovic, and The Three Investigators, a series of mystery books for juveniles.

I dressed in a style that might be popular with hipsters today but at the time was just plain nerdy: striped polo shirts, corduroys, t-shirts with the California Raisins on them.

One of the funniest attempts to blend-in was my Freshmen year.

“This is it,” I thought. “I can change. No one will know I’m the same person.”

 Over the summer before the school year started, I asked my mom to help me  with some money to buy some new clothes. The Chicago Bulls were popular that year, according to my research, so I got some tough looking Chicago Bulls jerseys and a baseball cap. I got a San Jose Sharks t-shirt, which was sort of a compromise because I liked sharks, but not hockey. I got some Nikes, the freshest style. I went to a haircutting chain and found a mugshot of someone who looked like one of the assholes who walked the halls of my high school in their display. I pointed at it.

“Make me look like this,” I begged them.

But it was a vain attempt. The sports gear, the haircut, the Nike super- duper pumps could not hide the volatile nerd underneath. This was made even more clear to me when I joined the basketball team at the start of the school year. I had been encouraged by a coach to join simply because I was tall and Port Washington is a city full of Napoleon complex. I thought it would be fun and that maybe I would make new friends and that coveted word—belong– to something. Of course every single person on that team was a rotten motherfucker to me and I never fit in and quit because of emotional distress halfway through the season.

Later my freshmen year I began to get into “alternative music,” especially what several trendsetters had dubbed “grunge.” It was Nirvana in particular that changed the direction of my life. The anger and pain and anxiety in Nirvana’s music really appealed to me in that moment. I started to grow my hair long. I sold my Chicago Bulls gear at a rummage sale and started buying Nirvana and Pearl Jam t-shirts. I suddenly took an interest in my dad’s old flannel shirts. I ripped holes in my jeans and pissed my mom off by staining the bathtub purple while trying to dye my hair.

The music and attitude gave me something to help me make it through High School, which was constantly getting worse for me. But now let’s talk about a good moment, an important moment in my life.

One noon hour I had arrived in the school cafeteria early for lunch. I was waiting for a couple friends to arrive so we could get a table together.

As I stood there holding my books, I noticed a student walking quickly into the lunchroom with a determined look on her face. She was carrying a stack of papers in her arms and her head darted around with a serious look of caution. She had a hemp string hairnet and a handmade hemp necklace, hoop earrings, and a sundress with a fuzzy green sweater over it. She walked up to a lunch table and placed a stack of papers on it, then walked to the next table and placed a stack on it, carrying on through the lunchroom. I was the only one watching her.

Intrigued, I walked over and picked up a paper. It was a newsletter-style photocopied publication titled Mind Rape. It was about six pages long and contained some essays about existentialism, moody poetry and artwork. I placed my copy in my folder.

A minute later, the assistant principal walked into the lunchroom. I forget his real name, but the student body had nicknamed him “Rat Man,” due to physical features that made him appear rodent-like. He was famous for antics almost bordering on 80s comedy subplots. He would angrily chase truant students around town and then hand down excessive punishments for their unruly behavior, all to a Kenny Loggins soundtrack .

As “Rat Man” entered the lunchroom, he spotted a stack of Mind Rape papers on a lunchroom table. He walked over and ripped them all up thoroughly, throwing a pile of paper confetti into a wastebasket closest to him. Then he walked to the next lunchroom table, again hand shredding the publication. His face was flushing red with anger and the strenuous ripping activity. I watched him rampaging from table to table ripping the newsletters apart and I felt my copy of the newsletter through my folder.

“This must be pretty good.” I thought.

I can’t tell you if it was or wasn’t, I don’t remember too much of the specific contents. What had inspired me more than the publication’s writing was the fact they had done it themselves. I had already had a brief attempt at working on the school newspaper, but my interest there had been short lived. Port Washington (at that time anyway) had a strict, heavily Catholic parent-teacher board.

The student newspaper had to send proofs of the paper to the board, who would scrutinize it, red markers anxiously waiting in their itchy hands. This had all started when the paper had published a candid essay debating pro-life and pro-choice positions on abortion. The op-ed piece had caused an uproar throughout the sleepy town, several people were disciplined for daring to speak on such a topic, and new guidelines were handed down. There was to be no more reports on abortion, birth control, AIDS, homosexuality, anything to do with the birds and the bees.

“What a bunch of bullshit,” I told one of my colleagues, after hearing the policy. I was getting my first burn out with the biz at the tender age of 15.

I could see why Rat Man was going nuts over Mind Rape, then. No one had approved it or the words it contained inside, like “fuck,” “shitbird,” and “prophylactic.”

Reading Mind Rape was an exciting moment. I could create my own publication! What fun! I now had something to do. I was ahead of my own time at this point, because this was before I had any idea what a “zine” was and had only the vaguest idea that underground newspapers other than Mind Rape had existed. My influences for my own newsletter were two publications: The Onion, which was fairly new (about 4 years old) and which I had seen just a couple issues of, and my favorite newspaper at the time, the Weekly World News. In addition to stories about Bat Boy and the world’s fattest cat, I had been particularly amused by the Weekly World News coverage of the 1992 presidential election. They featured a series of cover stories with doctored photos of candidates Bill Clinton, George Bush, and Ross Perot shaking hands with extra-terrestrials. I thought this was comedy gold.

I chose the name for my new publication after flipping through the school libray’s encyclopedia set during study hall. My page flipping fell across what I thought would be an appropriate chaotic title: the Mushroom Cloud. For the cover of the first issue, I decided to emulate the Weekly World News with a story about our school principal, Miss Krueger, meeting with a space alien. I stole a picture of her shaking hands with an outgoing principal from the yearbook photo archive and grabbed a copy of the Weekly World News. After a lot of trial- and- error by enlarging and shrinking the two photos on a photocopier, cutting with a pen- knife and rubber cementing (the olden days before Photoshop) I matched the two images up. It was crude, but it passed. The headline screamed:

KRUEGER MEETS ALIEN ADVISOR!

I filled a few more pages with equally ridiculous, bogus news items relating to the High School. I made about 50 copies of the newsletter on an old photocopier my granddad had in his home office and distributed them, Mind Rape-style in the lunchroom, library, hallways, any spot that looked inviting. This was during the last month of my Froshmen year.

I thought that reception to the first issue of the Mushroom Cloud went well. I’m not sure what criteria I based that on, other than seeing some people reading it and laughing in the hallway. That is all any troublemaker needs for motivation: an audience.

Over the summer break I spent a lot of time sitting at the desk in my room, thinking of a supply of new zingers to fill the fall issues. I came up with some standard, sub-par jokes, some High School humor 101, jokes about the cafeteria food, the boring math classes. When the beginning of the sophomore year rolled around, the Mushroom Cloud was back and it was a hit. I soon had students approaching me asking if they could contribute funny articles or artwork. One student wrote a cover story on how the History teacher bore an uncanny resemblance to Sam the Eagle from The Muppets.

The History teacher found a copy of this issue in his class, it was reported to me, and began ranting and raving about respecting your elders. It was good publicity. The issues came out steadily every month. One of our contributors, Mike, had a mom that worked for the school district. Glad to see her nerdy son participating in something, Mike’s mom offered to make copies of the Mushroom Cloud for free after hours on the school district’s photocopies. Our circulation increased.

Like any group of hot dogs, we started to get comfortable in our roles. We got cocky. The Mushroom Cloud began to print stories that dropped the F-bomb, described “shitty” school policies and printed satire that was admittedly vicious in tone. It was too bold for Port Washington.

All of the contributors had chosen bogus pen names and so speculation grew among the students and teachers on who was involved. One day after class me and my “assistant editor,” Andy, were working on the library computers, typing up Mushroom Cloud copy when we overheard teachers talking at a meeting by some library conference tables nearby. It droned on in the background, but then we heard the principal telling the teachers this:

“Now, as far as the Mushroom Cloud…” He paused to some polite laughter from the teachers. “Don’t worry, we’ve spoken to the people involved and they’ve assured us that they will tone it down.”

Me and Andy looked at each other in shock. We closed out what we were working on and stepped into the hall.

“Did you talk to someone about this?” He asked me.

“No!” I said. “They are totally bullshitting!” We both laughed. It was good to be infamous.

After about 7 monthly issues (plus the one from my Freshmen year) the Mushroom Cloud ended in an explosion worthy of the title. I still remember that day very well. I was taking a siesta during second hour Spanish class when a messenger delivered a notice to my teacher. He nudged me and placed the piece of paper on my desk. It read “come to the principal’s office IMMEDIATELY.” The text of the message was circled with a red marker. I stuffed the note into my pocket and headed to the office. I knew something bad was awaiting me there.

Here’s what had happened: that nerdy kid I mentioned, Mike, who had a mom that let us photocopy the Mushroom Cloud at her workplace had been busted. He had decided to assemble and staple some extra copies of the newsletter in the school library during study hour. An eagle-eyed librarian spotted him at work and called the principal. The principal hauled him into the office and decided to go bad cop all the way. He told this kid he must confess to who was in charge of the offending publication, or he would have a mark on his permanent record. The kid talked.

When I entered the office, I saw Andy sitting across the desk from the principal. He was crying. The principal’s face was beet red. I had never seen anyone with a face that was actually the color red from anger before. I sat down. He looked at us.

“Fuck you, Ratman?” He shouted at us. “FUCK YOU, RATMAN?! You think we’re going to allow that?!”

It became clear now. A student had written an op-ed piece for the Mushroom Cloud about the assistant principal with the not-so-eloquent title “Fuck you, Ratman.” It was the straw that broke the camel’s back.

The principal angrily outlined our downfall: a student brought a copy of the Mushroom Cloud home where her poor mom was “horrified” to read words like “fuck you” and “hump me, baby” and got on the phone to call another mom. Then that mom called a mom, and another mom, and so on. Soon the principal had two phone receivers to his ears at once with calls about the “filthy, obscene” literature being distributed to the young minds at Port High.

“And here we are,” he said. I tried in vain to say something along the lines of, “well, like, we have, like, first amendment rights, you know.”

“Not in High School, you don’t!” the principal shouted at us. I tried explaining that I didn’t understand why we were being punished for a creative venture that encouraged students to write and– albeit crudely–voice their opinion. The principal angrily told us we should have joined the staff of the official school newspaper. When I mentioned how boring the paper was and the parent-teacher board of Catholic moms armed with red markers, the principal shrugged angrily.

“Wake up! That’s life!” He hurled out. Me and my colleague were given a three day, out of school suspension, the most severe punishment. We were told that if we participated in any extra- curricular activity that wasn’t school approved, we would be recommended for expulsion.

We were sent home. Several Mushroom Cloud staff members went to the principal the next day to tell him that his verdict was unfair and that they would protest outside of the school. The principal shot down that plan by telling them that doing so would give each of them a three day out of school suspension. The school sent my parents a copy of the Mushroom Cloud with every offensive word highlighted brightly. Although my parents admired my creative output, the profanity offended them and they grounded me for a lengthy period of time. With the expulsion threat and a pair of angry parents I decided my career in the underground press needed to go on hiatus for awhile.

When I returned to school in the fall of my Junior year, though, I found a surprise in the hallway—a photocopy of a newsletter called Mushroom Cloud. “We’re back from the dead, and under new management,” it said on the cover, which had clipped the logo from an old issue of the newsletter. To this day, I have no idea who was responsible. Inside this mysterious new publication was Mushroom Cloud– style satire, which I thought was not as clever or well laid out as the original, as I pointed out to the principal when I found myself back in his office with a demand to explain it.

Still, I suppose, imitation is the best form of flattery.

A Crazy Fun October

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That’s me with some Real Life Superheroes at a Heroes in the Night promotional appearance at Common Good Books in Saint Paul.

Wow, what a month! I’ve really been burning the candle at both ends.

October 1 was the official release date of my book, Heroes in the Night: Inside the Real Life Superhero Movement. It was a really proud day for me– I did it! I got a book out, you can find it at a lot of bookstores. It’s also available online here: http://www.ipgbook.com/heroes-in-the-night-products-9781613747759.php?page_id=21

To promote the book, I did four bookstore appearances. I was at Quimby’s Bookstore in Chicago on 10/05. My big hometown appearance was 10/11 here at Boswell Book Company in Milwaukee. A lot of family and friends were there and we had a fun after party at Stonefly Brewery.

I appeared at Westfield Comics in Madison on 10/19 and Common Good Books in Saint Paul, MN on 10/20. All cool stuff. I was joined by people featured in my book at all stops, so I big thanks to Wraith, Citizen Prime, the Watchman, Geist, Razorhawk, Misery White, and Blue for joining me at Q and A sessions. It was really great to get out, see old friends, and meet new ones, too.

I haven’t seen exact figures, but the publisher tells me the book is doing good. I’ll be continuing to promote it with media appearances through the holidays (and beyond.) Next place I’ll be is here in town for Milwaukee Zine Fest Nov. 9 (website: http://milwaukeezinefest.org/2013/index.php) I’ll have copies of the book and a little zine of wacky poetry I did titled Palookaville.

I’ve also been working hard on my (as yet untitled) second book, which is about people who study the paranormal. I took a hectic trip east to do field work for the book, travelling to West Virginia, Kentucky, Maine, and Florida over a ten day stretch. I’ve been writing about some of this for Onmilwaukee.com. You can read about my Kentucky adventure here:  http://onmilwaukee.com/myOMC/authors/onmilwaukeecomstaffwriters/milwghoststorybobbymackey.html

Last thing I wanted to mention is an article I wrote for Third Coast Daily about Arkham House, a little known but important Wisconsin publishing house. They published the first works by H.P. Lovecraft and Ray Bradbury, among others. I worked on it on and off for a long time, and it was well timed to appear just before my favorite holiday, Halloween.

Here’s the article: http://thirdcoastdaily.com/2013/10/the-horror-of-sauk-city-arkham-houses-weird-fiction-legacy/

Below is a picture included in the article of Arkham House founder and prolific Wisconsin writer August Derleth. Happy Halloween!

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August Derleth

Krulos, Carless

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Up until this year, I was pretty much okay with not having a car. In fact, I have never gotten my driver’s license, never owned a car.

Has this occasionally been a pain in the ass? Oh, sure. But you know what hasn’t been a pain in the ass? Parking tickets, permits, oil changes, flat tires, timing belts, Google maps, worrying about drivers who are texting instead of driving, talking geckos, and paying out the wazoo to Greedbag American Syndicate.

People always say, “oh but you can’t get around, Tea Krulos. You can’t go nowhere.”

Well, I’ve done okay. I’ve been to a fair few corners of the world– Coober Pedy, Panajachel, Drumnadrochit, Derry, Roswell, San Francisco, Saskatoon, Brooklyn, Tijuana, Beaver Dam, Denver, I could go on and on. This summer I went to Vermont and am hitting the road again later this month.

But here’s the problem– this year things have been different. I lost out on a job opportunity due to lack of car  and have felt the restrictions of transportation trying to get to smaller cities.

Is it time for me to start driving? Siiiiiiigh. I guess so.

SPACE COLLECTOR s/t

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From the August 2013 Riverwest Currents

 
The Space Collector sound—imagine this, a heavy metal pterodactyl flapping its wings and shrieking violently, then lazily sailing along on a current of power chords. They stomp like a tyrannosaurus, sting like a velociraptor. Is this prehistoric metaphoric ooze—“From Fin to Foot” too much? Okay then, lets move it into space.

Interlude: DUN DUN DUN DUN! Dundadundaladalada dun—DUN DUN DUN DUN!

In the dystopian future, the world is a junk heap. Hope is lost, but that interlude you just heard was the “Flight of the Space Collector.” It’s a lost space cruiser collecting cosmic debris with the most bumpin’ boombox in the galaxy. The captains of this ship are Ed Osburg (bass/ vocals), Chris Valenti (guitar/ vocals), Miles Harbury (guitar/vocals), and Patrick Haga (drums/vocals.) They’ll lead you through a self titled album of controlled chaos, math metal tracks like “Gnomeland Security/ Pretension Bracket,” “Nothing Survives in a Vacuum,” and “Grandma Ash.”

Some of the songs are for headbangers, others are for philosophers.

My favorite tracks include the previously mentioned heavy stoner sludge “From Fin to Foot,” and the instrumental roller coaster “Flight of the Space Collector,” but the whole album is great and works well in its entirety in addition to individual tracks.

One more thing about this album—volume must be cranked to 11.

–Tea Krulos

HEROES IN THE NIGHT MIDWEST TOUR!

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Thursday, August 8: CHICAGO, Il–Wizard World Comic Con
5PM, Room 42: “Meet the Real Life Superheroes!” panel
Tea Krulos discusses Heroes in the Night and hosts a panel of Real Life Superheroes: The Watchman and Blackbird of Milwaukee, Electron from La Crosse, Geist from Rochester, MN, and Moon and Crimson Catalyst of Chicago.
Facebook Event Page: http://www.facebook.com/events/170287153155711/

Tuesday, October 1: The INTERNET–Goodreads.com
“Ask Tea Krulos” discussion group
On the premiere date of Heroes in the Night, Tea Krulos will be checking in with Goodreads throughout the day to answer questions about the book. You can join the discussion here: http://www.goodreads.com/group/show/110221-ask-tea-krulos

Saturday, October 5: CHICAGO, Il– Quimby’s Bookstore, 1854 W. North Ave.
7PM, In-store appearance. Slideshow, excerpt, Q and A, special surprise guests!
Facebook Event Page: https://www.facebook.com/events/533283696721389/

Friday, October 11: MILWAUKEE, WI– Boswell Book Co. & after party at Stonefly Brewery
This is the Heroes in the Night Universal Launch Party!
7PM, In-store appearance at Boswell Book Company, 2559 N. Downer St. Slideshow, excerpt, Q and A, special surprise guests!

9PM, after party at Stonefly Brewery, 735 E. Center St. Musical performance by Nineteen Thirteen, silent auction to benefit charity, super villain drink specials, and a superhero costume contest. Must be an original superhero creation. Honorary judges include fashion designer Miranda Levy (Project Runway), photographer Lacy Landre, and comic book artist David Beyer, Jr.
Facebook event page: https://www.facebook.com/events/579074678797325/

Saturday, October 12: TBA

Saturday, October 19: MADISON, WI– Westfield Comics, West side store, 7475 Mineral Point Road
6PM, In-store appearance, slideshow, excerpt, Q and A, surprise guest(s)!
Facebook event page:https://www.facebook.com/events/525578554164634/

Sunday, October 20: SAINT PAUL, MN– Common Good Books, 38 S. Snelling Ave.
4PM, In-store appearance, slideshow, excerpt, Q and A, surprise guests!
Facebook event page:https://www.facebook.com/events/467455183351314/

Thing of Beauty

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When I moved back to Milwaukee in May, I had something on the back of my mind– I wanted a typewriter. I thought I could use it for some sort of ritual where once a week I would bust it out, pour a stiff drink, set some atmosphere with some tunes and work on beatnik poetry or whatnot.

Maaaan, I thought, that would be sweet.

You can imagine my surprise and delight at the inner workings of the universe when I was walking around Riverwest (my neighborhood) about two days after being back. I happened to perchance upon a black plastic case sitting by the curb with a note taped to it– “FREE! Not sure if it works.” I opened it up and it was a solid looking Olympia typewriter.

And it did work– it just needed a new ribbon. I found a typewriter ribbon online for a few bucks and that, my friends, is that.

If you’re walking down my block Sunday evenings and hear what sounds like sporadic machine gun fire, that’s just me doing my Lawrence Ferlinghetti impersonation.

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Heroes in the Night Blog Back Up and Running

My book Heroes in the Night will be out in October. Meanwhile I’ve relaunched the book’s blog, which you can find here: http://www.heroesinthenight.blogspot.com

It’ll feature a weekly Hero Profile every Thursday and various news and updates about the book.

The advance reading copy of the book.

The advance reading copy of the book.

Victor DeLorenzo’s Genre Journey

From the June 2013 Riverwest Currents

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Victor DeLorenzo, s/t album

Bachelor Farmer Recordings

By Tea Krulos

The unique sound of the Violent Femmes, dubbed “folk punk,” can be attributed to all three of the founding members—the bleating, angst filled vocals of Gordon Gano, the thumping walk of Brian Ritchie’s bass, and the eclectic approach to percussion by Victor DeLorenzo.

The Violent Femmes’ first album, 1983’s self titled debut, differed greatly from many of its contemporaries. It was a time of sounds heavily relying on droning synthesizers, but one of the Femmes most famous melodies, “Gone Daddy Gone,” features the Femmes plinking  away  a catchy barrage from a less puffy- haired instrument–  the xylophone.

Other bands from the 1983 yearbook were super-sizing their drumsets, adding dozens of drums and flotillas of cymbals and sometimes giant gongs that looked like something from a set of a kung-fu movie. Meanwhile, DeLorenzo’s set up for one of the Femmes’ biggest hits, “Blister in the Sun,” was refreshingly simple– a snare drum and a pair of steel brushes.

These choices ended up serving the Femmes extremely well. While many of the bands of 1983 are like flies trapped in amber, the Femmes’ debut, now 30 years old, has a timeless sound that still sounds fresh today. The band has reunited after a hiatus of over 5 years to play a handful of shows like Coachella and Summerfest. They’re as young as ever.

During the periods between Femmes gigs, DeLorenzo has kept himself busy with a variety of musical projects that have expanded in direction far beyond the Femmes. While the other Femmes members have moved on to other parts of the world, DeLorenzo still lives on the east side. He plays a mix of chamber rock and jazz improv with a trio named Nineteen Thirteen, who play regular gigs at the Jazz Estate, and lays down the blues with a group named Lorenzo Menzerschmidt.

All of this has led to DeLorenzo’s first solo album, 15 tracks of musical explorations, an unpredictable mix of the best kind. Recorded sporadically over nine years, it has a touch of everything DeLorenzo has immersed himself in—jazz, experimental, pop, blues, and Femmes style punk- folk. The album was recorded with DeLorenzo’s children and other guests adding their musical talents to the mix. DeLorenzo’s fellow Violent Femmes member, Gordon Gano, takes over for vocals on “Dr. Um,” a fun, trippy song that shows off a love of wordplay.

Other stand out tracks include an excellent cover of the Zombies “I Remember When I Loved Her,” the punk flavored “Gonna Wanna,” the catchy layer of drums and vocals on “Bow,” and “Auction Man (yer on the air),” which sounds like something from a Frank Zappa session.

Guest vocalist Kim Manning joins in on a sunshine filled cover of the Violent Femmes’ “Good Feeling,” which originally appeared on the Femmes’ debut album, bringing this story full circle.

The amazing feat of this mixture of styles is that it sounds innovative instead of muddy, which is a testament of DeLorenzo’s creativity as a drummer and a songwriter. Highly recommended for fans of the Violent Femmes or anyone seeking something unique and catchy to add to their playlist.

The album is available at CD Baby here: cdbaby.com/cd/victordelorenzo

Poem from Palookaville

“Palookaville,” an old man once told me,

“is really the stupidest place

You can tell when someone has stepped off the bus from Palookaville

by the stupid look all over their face”

He said, “those damn stupid Palookas, they’re as stupid as a box of limes,

and you can read about them in the world’s stupidest newspaper,

the stupid Palookaville Times.”