Blog Archives
2017 Reading List: Live and Let Live
6. Live and Let Live: Diversity, Conflict, and Community in an Integrated Neighborhood, by Evelyn M. Perry (2017, The University of North Carolina Press)
I took a break to read my first title this year that wasn’t related to The End of the World as We Know It in fiction or non-fiction form, and what a treat it was. Live and Let Live is a sociological examination of the neighborhood I’ve lived in, Riverwest…oh, for about 17 years now. Author Evelyn M. Perry moved to Riverwest for three years to work on her study, in a style known as ethnography, or as I describe it, “hey, can I hang out with you guys for a couple years?” As she rolls through the chapters, she investigates the neighborhood– warts and all– and if you live in the neighborhood (or one similar) you’ll see a lot of issues examined that are common discussion here: gentrification, diversity, violent crime, public intoxication, “live and let live.” Perry has pulled a lot of great quotes on the neighborhood from a variety of local characters (disclosure: part of a jokey thing I wrote about Riverwest drinking culture is the epigraph for Chapter 6).
I have a Q & A set with Perry for the April issue of the Riverwest Currents and she makes an in-store appearance Friday, March 31, 7pm at Woodland Pattern Book Center here in Riverwest.
Recommended? Definitely. If you live in the neighborhood, you’ll learn a new perspective. And if you want to read a well written sociological examine of a diverse neighborhood, this is it.
January
My New Year’s resolution was to keep better track of what I’m doing. I’ll be listing what I get published each month and at the end of 2015 I’ll be able to see how many articles and a rough word count of what I did over the year.
I spent a lot of January working behind the scenes. I read over proofs for my upcoming book Monster Hunters (out June 2015, Chicago Review Press) and spent a lot of time working on the Milwaukee Paranormal Conference (June 6, 2015), and working on promo material for Ballyhoo (a comic I wrote and David Beyer Jr. illustrated).
I did have three articles published this month.
1. “Testing and Taxing Your Brain,” M: Milwaukee’s Lifestyle Magazine, January 2015. Article about local trivia nights, built on trivia questions with answer key at bottom of the article. The link will take you to their digital edition, the article is on page 96.
2. “the Soil & the Sun @ Turner Hall Ballroom,” Shepherd Express, Jan. 29. Concert review.
3. “Neighborhood Spotlight: Boen Richardson: The Right Side of the Tracks,” Riverwest Currents, February 2015. I’m including it here, despite Feb. cover date because it is out on the street (but not online yet).
Total 2015 word count: 2,070 words.
SPACE COLLECTOR s/t
From the August 2013 Riverwest Currents
The Space Collector sound—imagine this, a heavy metal pterodactyl flapping its wings and shrieking violently, then lazily sailing along on a current of power chords. They stomp like a tyrannosaurus, sting like a velociraptor. Is this prehistoric metaphoric ooze—“From Fin to Foot” too much? Okay then, lets move it into space.
Interlude: DUN DUN DUN DUN! Dundadundaladalada dun—DUN DUN DUN DUN!
In the dystopian future, the world is a junk heap. Hope is lost, but that interlude you just heard was the “Flight of the Space Collector.” It’s a lost space cruiser collecting cosmic debris with the most bumpin’ boombox in the galaxy. The captains of this ship are Ed Osburg (bass/ vocals), Chris Valenti (guitar/ vocals), Miles Harbury (guitar/vocals), and Patrick Haga (drums/vocals.) They’ll lead you through a self titled album of controlled chaos, math metal tracks like “Gnomeland Security/ Pretension Bracket,” “Nothing Survives in a Vacuum,” and “Grandma Ash.”
Some of the songs are for headbangers, others are for philosophers.
My favorite tracks include the previously mentioned heavy stoner sludge “From Fin to Foot,” and the instrumental roller coaster “Flight of the Space Collector,” but the whole album is great and works well in its entirety in addition to individual tracks.
One more thing about this album—volume must be cranked to 11.
–Tea Krulos